
|
"Developed collaboratively by Central
Works, this nonlinear, carefully structured
drama...looks at the defiant Dutch nude
dancer, who was executed by the French for
spying for the Germans...Graves--who directed
as deftly as he writes--imbues her story
with mystery, pain, and allure, suggesting a
kind of political scapegoating. Jan Zvaifler
was a glamorous and riveting [Mata] Hari, a
good foil for Louis Parnell's conflicted interrogator.
John Patrick Moore provided strong
support in multiple roles.
"
--Jean Shiffman, Backstage West
" Central Works has created an intense, fascinating
new work that explodes the Mata
Hari myth...Zvaifler is by turns contemptuous,
seductive, and outraged in her dance
with interrogator Bouchardon, who always
stays close, hounding Zelle even as his fascination
with her as a woman grows...Jeff
Wincek and John Patrick Moore, each playing
a full handful of men, do excellent jobs
of keeping their characters separate
through the use of simple props and
accents"
--Lisa Drostova, East Bay Express
"...a compelling account of what really led
this fascinating figure to the firing
squad...Zvaifler and Parnell charge every
measured silence between them with a
fevered chemistry, while John Patrick Moore
and Jeff Wincek deftly deliver an array of
lovers, admirers, and tormentors. Lauren
Kaplan's elegant costumes lend the proceedings
visual authority, and Gregory
Scharpen's sound design supports a captivating
atmosphere of nostalgia and
menace."
--Robert Avila, SF Weekly
"Mata Hari, Central Works' riveting closeup
of Margaretha Zelle, is an impassioned,
incandescent revelation of inner forces at
work in a complex woman too often, and
too unsuitably, in love. Jan Zvaifler manages
the title role, ever so slyly letting the
femininity of a courtesan soften the steely
hauteur of a spy, like the lacy edge of a petticoat
peeking from beneath the elegant
severity of a formal skirt. Louis Parnell,
John Patrick Moore and Jeff Wincek complete
the right and precise cast as French
officers in this circle of intrigue and boudoir
espionage in the age before spying became
electric."
--Jack Tucker, Berkeley Voice & West County Times
|

|